Category: Painting

Mistaken Identity

Mistaken Identity: Orange-Pink, digital, 2014, by Terre Britton

Mistaken Identity: Orange-Pink, digital, 2014.

 

Mistaken Identity: Blue Ghost, digital, 2014, by Terre Britton

Mistaken Identity: Blue Ghost, digital, 2014.

 

Mistaken Identity: Blue-Green, digital, 2014, by Terre Britton

Mistaken Identity: Blue-Green, digital, 2014.

 

These are digital manipulations of Identity, a canvas from 2012.

Soaring

Soaring, Digital, 2014, by Terre Britton

Soaring, Digital, 2014

The Blue Madonna

"The Blue Madonna -- Unconditional Love; Unconditional Sorrow," Digital, 2014, by Terre Britton.

“The Blue Madonna — Unconditional Love; Unconditional Sorrow,” Digital, 2014

Exploring the power of symbols.

This is a Cintiq Companion, digital manipulation  and updated revision of the acrylic canvas Madonna of the Light—My Boy, from the All Things Holy art exhibition, in 2013.

The All Things Holy art exhibition was my awards show, granted by and held at Artel Gallery, Pensacola Fl, for winning Best of Show, in 2012, with my canvas The Green Vase.

 

“Gala One” on Display in the Annual Cinco Banderas Collection Exhibition

Cinco Banderas Collection Exhibition, 2013 -- Photo Courtesy of Artel Gallery

Cinco Banderas Collection Exhibition, 2013 — Photo Courtesy of Artel Gallery

Just one year ago, the Cinco Banderas Foundation purchased one of my paintings, Gala One, to add to the Cinco Banderas Permanent Collection. It remains a great honor. The collection is now on display in their annual exhibition, through to October 18, 2013, at Artel Gallery (@artelPensacola).

Artel Gallery
223 Palafox Place
Pensacola, Florida 32502
850 432-3080

Origin

"Origin," by Terre Britton

“Origin” ©2012 Acrylic on Canvas, 48″ x 36″

“Origin” is  currently in the “All Things Holy” exhibition at Artel Gallery, Pensacola, FL.

This piece grew out of my digital spiral studies from last October. I’m still working out the best way to photograph my work. Most of them consist of multiple layers of colored glazes, which don’t seem to translate satisfactorily in to a digital format. I think an overcast, outdoor photo shoot might produce better results than studio lighting.

You will find a list of all the work in the show at the bottom of the exhibition post.

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